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Loading... The Island of the Day Beforeby Umberto Eco
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will love Sign up for LibraryThing to find out whether you'll like this book. I have decided I really I do not get on with Eco (apart from Name of the Rose). As usual, beautifully written, but it just doesn't get anywhere. If I want historical, philosophical or scientific debate, I will generally read non-fiction for it. Given up c. p100, no rating. Umberto Eco's The Island of the Day Before is a difficult book to review. Since finishing it last night I've been trying to figure out even what I would say, what words I would use to describe my reaction to it. It never grabbed me the way The Name of the Rose or Foucault's Pendulum did, but I didn't really dislike it (as I did Baudolino). Certain elements of the story were interesting (the search for accurate measurement of longitude at sea, the whole marooned on a boat within sight of land motif), and I really enjoyed the little old man who spoke in a variety of different languages at once. There are several very funny passages (I can't remember ever laughing out loud with Eco before). On the other hand, I read through the entire book thinking that surely something would happen soon, that there was some missing element that would make itself known and make the book pop like some of Eco's others have for me. And that never happened. Eco explores philosophical and historical issues in intriguing ways in all of his books, making all of them well worth the reading. http://philobiblos.blogspot.com/2009/... I found this a really tough read. Some parts were interesting, but overall, for me, it dragged. I am so relieved that I made it through to the end - though it took me about 3 months to do so. Maybe I'll try reading it again in the future with more success. Maybe it was just a really bad time for me. Probably my least favorite Eco novel. no reviews | add a review
Amazon.com Product Description (ISBN 0156030373, Paperback)After a violent storm in the South Pacific in the year 1643, Roberto della Griva finds himself shipwrecked-on a ship. Swept from the Amaryllis, he has managed to pull himself aboard the Daphne, anchored in the bay of a beautiful island. The ship is fully provisioned, he discovers, but the crew is missing. As Roberto explores the different cabinets in the hold, he remembers chapters from his youth: Ferrante, his imaginary evil brother; the siege of Casale, that meaningless chess move in the Thirty Years' War in which he lost his father and his illusions; and the lessons given him on Reasons of State, fencing, the writing of love letters, and blasphemy. In this fascinating, lyrical tale, Umberto Eco tells of a young dreamer searching for love and meaning; and of a most amazing old Jesuit who, with his clocks and maps, has plumbed the secrets of longitudes, the four moons of Jupiter, and the Flood. (retrieved from Amazon Fri, 24 Apr 2009 07:57:53 -0400) The first test round has been closed. Visit the Open Shelves Classification group for details. |
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Eco luxuriates in lyrical language. His sentences are laden with details. The passages are also impressive, but the narrative somehow lacks a door latch that the reader can hold onto. I feel at first like a blind bat in need of the powers of echolocation. I also feel shipwrecked myself.
The book explores some of the foundations of scientific thought, and most of it is presented as a drivel by Father Caspar (in Master Yoda-speak), who doggedly adheres to the geocentric view that the Earth is the center of the universe. There are already indications of the nascent thinking of Copernicus, Einstein’s relativity postulates especially on the frame of reference, some hints of present-day debates on intelligent design and creationism.
The book in parts is, to mimic its double-edged mannerism, technically exasperating or exasperatingly technical. What is exasperating is that the science is too old-fashioned and too outdated. That, for me, is what is admirable with it. I liked the way Eco attempts to role-play arguments of mad philosophers and mad scientists (they seem to be interchangeable).
Eco seems to be documenting the naiveté in scientific thinking and approaches in 17th century, and it is religion that is often the culprit in contaminating the progress of astronomy and natural sciences. Indirectly, the absurdity of religion influences scientific methods and approaches. Religion kills the objectivity of science and yet it propels it to invention, experimentation, and discovery.
On the literary front, The Island has too many to offer. The playfulness of the free indirect style, the double (In some ways, the reader is The Other too), the (slightly) intrusive narrator who wrote this novel as an ‘interpretation’ of Roberto’s writings, the open-ended conclusion. It has something to say about time, the nature of time, direction of time, the arbitrariness of scientific theories, the subjectivity of science. For a book about “emblems and devices” it has masterfully crafted symbols, most notably the Orange Dove and the unattainable Island.
Overall the book is impressive not so much for the writing (which is often boring), but for the ambition (which is vaulting). It has moments and passages that come alive like jewels. It is, in some ways, a tropic novel of sunlight, not the dreary old-fashioned novel bathed in darkness, although it is old-fashioned, perennially old-fashioned. (