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Spring Essence by Ho Xuan Huong

Poetry, Language, Thought. by Martin, Heidegger

Selected Letters by Guy Davenport

The Solid Form Of Language: An Essay On Writing And Meaning by Robert Bringhurst

Sporatic Growth being a third season of 26 fungal threads by Jay MillAr

Faces and Forms by Anselm Hollo

Blindsight by Rosmarie Waldrop

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Member: andreajorgensen

CollectionsYour library (3,650), Currently reading (15), To read (3), Read but unowned (1), All collections (3,662)

Reviews49 reviews

Tagspoetry (1,941), 20th century (1,502), USA (771), translation (693), Canada (559), fiction (550), 21st century (516), literature (275), essays (272), novel (265) — see all tags

Cloudstag cloud, author cloud

GroupsBBC Radio 3 Listeners, Medieval Europe, poetry in translation, Tea!

Favorite bookstoresThis Ain't the Rosedale Library

Other favoritesGeorge Ignatieff Theatre, Beaver Hall Artists' Gallery

About mePhD in library science but lapsed librarian apart from my own collection, estimated at about 10,000 books, or whatever the number ends up being once the books are catalogued. It's a slow process because of course one keeps buying books and prefers to spend time reading them . . .and the response to them is more likely to be more writing, rather than cataloguing. Also am a writer by inclination & practice and a storyteller, and a sometime student of herbal medicine. Formerly an art teacher and gallery curator, now exercised mostly by fantasizing my ideal art collection. The ilustration (right) is from the catalogue of the major exhibition in London U.K. summer 2008 of fin-de-siecle (1849-1916) Danish painter Vilhelm Hammershoi, "whose work languished unremarked for years, but who is now regarded as the greatest Danish painter of the second half of the 19th century." (from Times Online June 21/08). The title of this painting is "Interior, Strandgade 30, 1908" -- his home with his wife, who was also so often his model, and is typical of the sense of stillness and mystery in his painting. I think of the woman as sitting quietly reading, her back turned to the world of domesticity, facing open doors leading to the light, therefore chose it as the most appropriate image for a "profile." Hammershoi's interiors always draw me in the way books do to other worlds.

About my libraryPoetry the priority -- but also heaps of fiction (including East European & Russian), cookery books, natural history, ecology, art, herbal medicine, philosophy. Some parts of the collection have been designated by personally relevant tags: "Nyborg Collection" for the storytelling and folk-tale books that are a resource for the storytelling part of my life; and "Rara avis" for those poetry books being kept in a separately organized collection because of their rarity, fragility, size or status as chapbooks or broadsheets. Am considering including,literary journal holdings eventually and have finally begun to add CDs: each time I listen to one, I enter it to LT collection: doesn't seem as daunting that way. Fringe benefit: spending more time listening to music, getting to know how much I've accumulated and also avoiding duplicate purchases.

Homepagehttp://gertrudesteincafe.blogspot.com/

Membership LibraryThing Early Reviewers/Member Giveaway

LocationToronto Canada

Favorite authorsNone

Account typepublic, lifetime

Connection NewsConnection News

URLs http://www.librarything.com/profile/andreajorgensen (profile)
http://www.librarything.com/catalog/andreajorgensen (library)

Common KnowledgeSeries (139), Awards (304), Characters (1535), Places (359)

Member sinceDec 27, 2006

Currently readingThe SACRED HOOP (Sierra Club Paperback Library) by Bill Broder
An Oregon Message by William Edgar Stafford
Briefe (Edition Suhrkamp) by Walter Benjamin
If I were writing this (New Directions Paperbook) by Robert Creeley
HOMAGE TO CATALONIA and Looking Back on the Spanish Civil War by George Orwell
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Oh my but do you have a task ahead of you--potentially endless, I'd suppose. I don't have a chance of catching up with you even wiuth the currently posted catalog. How magnificent.
Hi, Andrea,

I think you do me slightly too much honour - I haven't actually read Ugresic or Krleža yet. I belong to a small reading group: we've decided that one of our objectives for this autumn would be to find out something about Croatian literature, so I asked around on LT and got some tips from LolaWalser. I'm looking forward to reading them - the Krleža arrived a couple of days ago, but Ugresic is still in the post. I wasn't entirely convinced by Chabon, as you'll see from the review I wrote yesterday, but I'm heart and soul for Wodehouse and Barbara Pym! I do enjoy the freedom of leaping around between genres and periods, though. I see you've got three copies of The Tin Drum, so you must be all right!

I'm not an especially visually-oriented person, but I happened to see the BBC film about Hammershoi a few years ago and was very struck by those interiors. Not enough to remember the painter's name the next day, of course, but it did make me think vaguely that I ought to visit Denmark again. One day...

Mark
Andrea,

Oh my. You are probably the go to girl for finding out the Canadian poetry scene. I shall definitely keep an eye on your collection. Plus, I am addicted to green tea!

I'm sorting thru my books as I am moving from an apt to a house. I might trade in some books (shame, shame) as I found a used book store that I can get credit at and they have some good finds.

Speaking of libraries, I used to work at OCLC in the preservation division.

Enjoy Kaminski's book. He's a great writer.
Lynn
looking for Woodcock's Powers of Observation

weksler@med.cornell.edu
Wow -- we have some fascinating cross-overs: I love your extensive experimental poetry collection (how are you finding the Waldrop? Have you finished Inger Christensen's It? I read it so slowly...) Also, I love "rara avis" as a tag for chapbooks and other fragile codex objects... conveys the book as bird in flight, ephemeral and moving.
The Batmanglij: a beautiful book. Lavishly illustrated, a very nice book. I like her recipes but virtually every one of them has a lengthy ingredient list. What I like is that I have the sense that the recipes are "authentic"--meaning the taste isn't dumbed-down. I got a Syrian one recently where, for example, lemon juice turns out to have been substituted often for tamarind. I understand doing so because there are many cooks in thousands of cities and towns that may not have easy access to tamarind. But it changes the flavor enormously. I realize that the author was trying to make the cuisine accessible and workable for as many as possible, but I wish she'd at least offered alternative versions of recipes. I don't have the sense that Batmanglij is doing that (though, I suspect, at some level it's almost inevitable). Indeed, her "Dictionary of Persian COoking" in the back of this volume not only goes on at length about authentic ingredients but even explains how to make some of them, such as grape molasses and advieh.
Shaida's book is much less aesthetically attractive. Few photos and those in sections; mostly hand-drawn illustrations and those are decorative rather than illustrative. The recipes are simpler, less complex. To choose but one example, both authors include the standard "adas polow"--rice with lentils and dates. Shaida uses 9 ingredients total; Batmanglij needs 16. I like having both because both strike me as "real" recipes. I fear Shaida errs on the side of simplicity and Batmanglij errs on the side of complexity. Neither is better, both have the virtues and their faults. If I have the time and patience, I'd probably lean toward Batmanglij because of my perception that it's likely to yield more complex dishes with more layers of flavor. But I'd also be happy to use Shaida and perhaps modify it with some touches from Batmanglij.
I don't know how much this helps. I suspect, because I happen to love this cuisine, that I really need other authors.
Let me know how you decide to proceed....
Dave
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